Maurice often used simple color themes when designing his films. Many times he would carry variations of a single theme throughout an entire film. For each sequence he would often make one or another color from a color chord the dominant color. For example the blue accent of an earlier sequence may become the dominant color of a later sequence. In some of these examples Maurice has mixed things up with a yellow accent.
A rectangular color chord from "Much Ado About Nutting." (1953)
Supplement to pg. 104 of The Noble Approach.
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