Comics Alliance Reviews The Noble Approach

As the first anniversary of The Noble Approach: Maurice Noble and the Zen of Animation Design draws near... great reviews are still coming in for the book! This time from Patrick A. Reed of Comics Alliance.

Read the post  HERE! 

Simple Color Themes

Maurice often used simple color themes when designing his films. Many times he would carry variations of a single theme throughout an entire film. For each sequence he would often make one or another color from a color chord the dominant color. For example the blue accent of an earlier sequence may become the dominant color of a later sequence. In some of these examples Maurice has mixed things up with a yellow accent.

A rectangular color chord from "Much Ado About Nutting." (1953)

Supplement to pg. 104 of The Noble Approach.

Color Keys and Color Sketches: Background Drop-off

A Maurice color key sketch (top) with a Phil DeGuard background from "Boyhood Daze." (1957) courtesy of Paul Bussolini

Phil's final backgrounds (as in the above example) were often painted lighter and with less contrast than Maurice's color keys. The reason being that under camera each background carried an average of 5 cel layers on top of it. Each cel layer would darken the background a certain percentage. 

 A background and cel set-up from "Boyhood Daze." (1957) courtesy of Mike Giaimo. 

It is easy to see the striking difference in value and contrast between a "naked" background, and one shrouded in its cel covering. Maurice would test background/ cel setups under camera to make sure all the elements looked correct BEFORE committing to a specific design approach. A pretty background painting meant little if it didn't work under the lens. Only once key shots worked to Maurice's satisfaction would Phil would move forward with the backgrounds on the rest of the film.

Supplement to pg. 146 of The Noble Approach

Maurice Pans 005: Beginnings and Endings

A vertical pan from "Much Ado About Nutting." (1953)

Maurice taught, "The eye isn't going to see much detail in the middle of a fast pan. It will see color and pattern in an abstract way. Focus on making the start and finish of the pan work well, the parts that the audience will actually see. Then concentrate on the length and feel of the pan."

From pg 159 of "The Noble Approach."

Martian Through Georgia Progression

Above: A Maurice Noble layout and final Phil DeGuard painting from "Martian Through Georgia." (1962) The film was co-directed by Chuck Jones and Maurice.

In his early Warner career, Maurice made numerous color keys to help guide painter Phil DeGuard in the final background paintings. But by 1962 the two artists had been working together so long that Maurice could often give Phil simple shorthand color notes, such as in this background layout, to indicated what he wanted. 

Lettering by Don Foster.

Supplement to Pg. 126 of "The Noble Approach." 

To watch the film, visit the link HERE.

Color and Value: 001

Maurice most usually thought of color in how it related to value. ( The relative lightness or darkness of a color.) Always making sure that a composition worked in black and white FIRST before moving on into something more colorful. 

Cartoon Colour cel vinyl was Maurice's paint of choice. The paints were marked with a one (1) for the lightest value, and the bigger the number, the darker the paint. 

Above is a chart Maurice used to show how the value of many colors he used related to gray. 

GRAY SCALE SHOWING CORRESPONDING COLOR VALUES
The color number appears vertically under each color and #20 represents the darkest value. The gray values on the left are in the same order, from dark to light, and any color number appearing on a horizontal line with a gray value has that same gray value when photographed in black and white. 

How is this useful? It's sometimes difficult to tell how dark or light a color really is. When transferring a black and white sketch Maurice wanted to be sure that his colors were as close as possible to the original sketch values.

Supplement to pg. 91 of "The Noble Approach."

Clean up by Esben Sloth